This is a negotiation between the glacial patience of long-form cinema and the immediate, plastic gloss of commercial culture. There is a persistent fascination with the heavy, atmospheric silence of a black-and-white frame and its relationship to the calculated, vibrant artifice of modern color. One informs the other; both are equally absurd.
Based in Skopje. The pretense involves the production of films, commercials, editing, color grading and the accumulation of film negatives. The objective is to find the point where the technical workflow becomes an enjoyable boulder.
The architecture of the image will remain invisible. The grain will remain structural. The process loops.